Export your film as a 16-bit TIFF sequence.Ģ. Watch the video for a more detailed look at the DCP making process. It’s quite simply chopping down the prices and expense of delivering your movie. I’ll tell you what, this is going to open a lot of doors for Indie film makers too, I believe it’s going to be incredibly helpful for those going down the self distribution route. It’s becoming common practice and a major player for delivery to the big screen. Most cinemas are now installing 2k and 4k digital cinema projectors, working from DCP servers. If you’re planning on showing your film on a large cinema screen, chances are you’ll need a DCP to get the absolute best digital quality.

I’m not going to get any deeper on the technical expression of the term right now (to get more technical, try Google). DCP is a collection of digital files used to store and convey Digital Cinema audio, image, and data streams (Wikipedia).Ī DCP is usually made up of large MXF (Material Exchange Format) and XML files. In this guest blog I wanted to share my experiences of making a DCP for my short films, in preparation for a premiere screening night.ĭigital Cinema Initiatives (most of the major studios) coined the expression when looking at ways of packaging Digital Cinema contents.

It’s free, it’s open source and it’s is so simple to use. My initial reaction…? We are all doomed, there’s no way I’m getting my short films shown at high resolution on the big screen.Įnter, OpenDCP and the modern age of Indie distribution. Numbers like £10k, £30k and £50k+ were being used.

Up until now the words Digital Cinema Package (DCP) had usually been followed by many pound (or other currency) signs. When I heard my friend Danny Lacey was figuring out how to make a DCP at home, I asked him to share what he learned! WOW! The DCP is the last technical hurdle to overcome when you want to get your movie into a professional commercial cinema – over to Danny…!

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